By Simon Dickel and Kindinger
»After the typhoon« strains the cultural and political responses to storm Katrina. instantly after Katrina, and through the previous 9 years, its devastating results for the golfing quarter, New Orleans, and the yankee country were negotiated in more and more cultural productions – between them Spike Lee's documentary movie »When the Levees Broke«, David Simon and Eric Overmyer's television sequence »Treme«, or Natasha Trethewey's poetry assortment »Beyond Katrina«. This publication presents interdisciplinary views on those and different negotiations of storm Katrina and places precise emphasis at the intersections of the kinds race and class.
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Additional resources for After the Storm: The Cultural Politics of Hurricane Katrina
2006: 288). R ECYCLING AND S URVIVING IN B EASTS OF THE S OUTHERN W ILD | 55 politics or ecological philosophy. This interest might be best symbolized by Slavoj Žižek, who (like Stevens’s speaker) places himself literally next to a garbage dump when being filmed for the documentary Examined Life, telling the audience in his interview segment to embrace our trash if we want a “real political ecology” (cf. Taylor 2008). So are we just dealing with a new academic topic or is there more to the scholar on the dump?
A New Introduction to Poverty: The D OCUMENTING S TORIES OF R ECONSTRUCTION | 39 Role of Race, Power, and Politics, New York: New York University Press, pp. 1-12. Letort, Delphine (2015): The Spike Lee Brand: Study of Documentary Filmmaking, New York: SUNY Press. Nichols, Bill ( 2010): Introduction to Documentary, Bloomington: Indiana University Press. Pattillo-McCoy, Mary (1999): Black Picket Fences: Privilege and Peril among the Black Middle Class, Chicago: University of Chicago Press.
Unruly, unbound by studios or the usual Hollywood conventions, this paean to childhood perception and human resilience exists in its own hermetically sealed world, physically and metaphorically. 8 million shoestring in southern Louisiana with hand-held cameras, jury-rigged sets, untrained actors and a grass-roots collective of artists (cf. Lidz 2012). 6 The plot of Beasts of the Southern Wild follows the young girl Hushpuppy (Quvenzhané Wallis) and shows what happens when a Katrina-like storm hits the narrow and ruggedly beautiful Isle de Jean Charles, a fictional place known affectionately by the locals in the film as The Bathtub, located beyond the levees that keep the delta dry.