Cartoon Origami 1 by Carlos Gonzalez Santamaria (alias ''Halle'')

By Carlos Gonzalez Santamaria (alias ''Halle'')

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The lot was enclosed at the back by a high fence, behind which the balconies of a large, low-slung apartment complex had a perfect view of the lot. Ramirez and his partner had already canvassed the apartment building. They got lucky. A witness had seen the events unfold from a balcony—and had noticed a tattoo on one of the men’s legs. “Yeah,” said Ramirez. ” “Maybe a Marine tattoo? ” asked Hrycyk. ” asked Hrycyk. The problem was that the witness spoke only Russian. “We’ll have to find a translator,” Hrycyk nodded.

Her mother, though, wanted her to pursue a more practical profession. Czegledi hid her drawings under her bed but continued to paint even while she studied law at Toronto’s prestigious Osgoode Hall. In 1987 she graduated and joined a corporate firm. When a fellow artist needed a contract examined or paperwork for an exhibition looked over, she did so—often for free. Word of her interest in the area of art and law spread quickly through the community, and soon she began to receive phone calls about cultural heritage law.

There are only a handful of detectives in the entire world who have the experience and the training to investigate art thefts properly,” she told me, and most of them were in her Rolodex. In the United States there was a unit of two in Los Angeles; in Canada, a unit of two in Montreal; in England, Scotland Yard’s Art and Antiques Squad; in Italy, a unit with the Carabinieri charged with preventing the theft of Italian antiquities, which was rampant. Paris had a unit, and some officers in the Netherlands kept a list of stolen work.

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