By Luigi Dallapiccola
The Italian composer Luigi Dallapiccola (1904-75) continually characterized himself as a `man of the theatre', and Il Prigioniero (The Prisoner) has been played extra frequently than the other Italian opera considering that Puccini. Dallapiccola on Opera, the 1st choice of his writings to seem in English, proves that he used to be additionally an encouraged essayist and critic. To the directness and mental perception of his narrative variety, Dallapiccola provides probing commentary of info within the severe texts that shape the center of this e-book. even if writing approximately everyday masterpieces like Mozart's Don Giovanni and Verdi's FalstaffI/>, Mussorgsky's Boris Godunov and Debussy's Pell130>as et M130>lisandeI/I, or discussing such nice yet problematical works as Monteverdi's Il Ritorno di Ulisse in patria, Busoni's Doktor Faust and Verdi's Simon Boccanegra, Dallapiccola illuminates basic, formerly overlooked dramatic and musical facets.
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Extra resources for Dallapiccola on Opera: Selected Writings: Volume One (Musicians on Music)
Crater dormant. Provisions and water arrive from various directions. London, 13 May. Island still overcast. Ruins of city continue burning. Paris, 13 May. Great calm and unspeakable grief. London, 14 May. Threat of plague despite mass cremation. Paris, 14 May. Changes in soil in the northern part of the island. Changes in geographic conformation: new hills and valleys . New York, 14 May. Hundreds of corpses lo(')ted. Arrest of six robbers laden with jewelry. While it is sometimes difficult to ascertain the remote, obscure origins of works long hoped-for and loved and endured, I believe I can say that the fundamental idea of Volo di Notte is implicit in this series of telegrams.
While he was yet speaking, there came also another, and said, The fire of God is fallen from heaven, and hath burned up the sheep, and the servants, and consumed them; and I only am escaped alone to tell thee. While he was yet speaking, there came also another, and said, The Chaldeans made out three bands, and fell upon the camels, and have carried them away, yea, and slain the servants with the edge of the sword; and I only am escaped alone to tell thee . While he was yet speaking, there came also another, and said, Thy sons and thy daughters were eating and drinking wine in their eldest brother's house: And, behold, there came a great wind from the wilderness, and smote the four corners of the house, and it fell upon the young men, and they are dead; and I only am escaped alone to tell thee.
For the Premiere of Volo di Notte 85 rear wall is made of glass, and through it a large door opens from the office onto the airfield. In the distance, beyond the airport, the city of Buen~'Aires should be visible, gradually illuminated at nightfall. Scene 1. We are introduced immediately to Riviere, a man both tough and compassionate ('Love the men under your orders - but do not let them know it,' he advises Inspector Robineau 9 ), a man who understands the reason for his solitude. Riviere has not renounced life willingly, but by force of circumstances.