Dialogue sur l'essai et la culture by Robert Vigneault

By Robert Vigneault

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Extra resources for Dialogue sur l'essai et la culture

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Puis-je suggérer qu’on pourrait d’abord libérer l’essai d’approximations comme « l’essai proprement dit » ou de pléonasmes comme « l’essai littéraire » ou « l’essayiste écrivain », quitte à redonner au mot essai sa pleine valeur suggestive. ��. Milan Kundera, « Préface », dans François Ricard, La littérature contre elle-même, Montréal, Les Éditions du Boréal Express, 1985, p. 8. Int. indd 37 12/1/08 2:28:49 PM 24 Acte I Dialogue sur l’essai et la culture L’AUTRE – Si j’ai bien compris, cher ami, il ne semble pas inutile de revenir encore de nos jours sur les paramètres de l’essai.

La fin, l’auteur prend ses distances vis-à-vis de l’essai, en direction d’une sorte de « prose » libérée... Puis-je suggérer qu’on pourrait d’abord libérer l’essai d’approximations comme « l’essai proprement dit » ou de pléonasmes comme « l’essai littéraire » ou « l’essayiste écrivain », quitte à redonner au mot essai sa pleine valeur suggestive. ��. Milan Kundera, « Préface », dans François Ricard, La littérature contre elle-même, Montréal, Les Éditions du Boréal Express, 1985, p. 8. Int. indd 37 12/1/08 2:28:49 PM 24 Acte I Dialogue sur l’essai et la culture L’AUTRE – Si j’ai bien compris, cher ami, il ne semble pas inutile de revenir encore de nos jours sur les paramètres de l’essai.

P. 9. ��. Jean-François Chassay, « La science à l’essai », Études littéraires, « Dérives de l’essai », vol. 37, no 1, automne 2005, p. 105-117. ��. Laurent Mailhot, L’essai québécois depuis 1845. Étude et anthologie, Montréal, Éditions Hurtubise HMH, Cahiers du Québec, collection Littérature, 2005, 357 p. Int. indd 36 12/1/08 2:28:48 PM Acte I Dialogue sur l’essai et la culture 23 c’est-à-dire aux morceaux choisis ? Mais c’est plus fort que moi : j’ai la passion de la réflexion sur la littérature ou des « préceptes littéraires », comme on disait au collège ; l’histoire littéraire m’intéresse infiniment moins que les œuvres vives ; quelques balises me suffisent, soit le contexte d’énonciation ou l’essentiel de la situation d’énonciation, l’attitude fondamentale de l’écrivain, son cogito, pour ainsi dire, au moment de l’écriture.

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