By Michael Buckland
This e-book tells the tale of Emanuel Goldberg, a chemist, inventor, and industrialist who contributed to just about each element of imaging expertise within the first 1/2 the twentieth century. regardless of his accomplishments, historical past has no longer been type to Goldberg, a reputation all yet erased from the annals of data technology. an important tale emerges as Michael Buckland reveals forgotten files and rogue citations to teach that, opposite to public opinion, Goldberg created the 1st machine seek engine, constructed microdot know-how, and designed the well-known Contax 35 mm digicam. a desirable and illuminating tribute to an outstanding brain and a very important interval within the historical past of knowledge technology and technology.An very good tale emerges as Buckland reveals forgotten files and rogue citations to make the case that it used to be Goldberg, now not Vannevar Bush, who created the 1st machine seek engine. Goldberg, no longer Professor Zapp (a figment of J. Edgar Hoover's imagination), who constructed microdot know-how. Goldberg, now not Heinz Kueppenbender, who designed the well-known Contax 35 mm digital camera. Buckland firmly but engagingly offers credits the place credits is due, within the strategy laying off mild at the conditions that ended in Goldberg's obscurity. the result's an illuminating tribute to a superb brain, and a desirable research of a very important interval within the heritage of data technology and know-how.
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Extra info for Emanuel Goldberg and His Knowledge Machine: Information, Invention, and Political Forces (New Directions in Information Management)
Where they overlap completely, the area of visible ink is minimal, the area of one dot. Where two dots overlap partially, the area of visible ink is larger and so that area will appear darker to the eye. When two dots are adjacent, not overlapping, the area of visible ink is maximal, the area of two dots, and so that small region will appear even darker. In this way, the rows of dots interact with each other in an unintended way determined by an accidental relationship in the alignment of the two sets of rows and, so, a second order periodic pattern emerges.
Goldberg, who was fond of hiking, was puzzled because photography did not seem to follow this law. He had noted that the exposure could be the same at the top of a mountain, where it was freezing, as it was for a meadow, below, where it was hot, if the light was bright in both places. The nineteenyear-old student suggested to Ostwald that the effects of heat and of light on chemical processes—thermochemical effects and photochemical effects, respectively—were in principle different. Ostwald thought that increased light merely enhanced the effects of increased temperature but expressed interest in Goldberg’s perception.
On the other hand, he and Sophie had developed a strong attachment to Germany as their adopted homeland, he already had a wonderful situation, and they were happy where they were. He admired American ways, but, in 1912, viewed from the rich cultural milieu of Leipzig, Rochester probably seemed rather bleak as a place to live. Mees responded politely: My dear Dr. Goldberg, I am much obliged for your letter of the 3rd. While, of course, I am very sorry that you cannot come to America, I am not surprised to hear 46 \ 5—Graphics from you to that effect, because I realised when I was in Leipzig that it was very probable that you would not be able to come.