By Anna Katharina Hahn
Mustermütter und Karrierefrauen, Eurythmie und Hysterie, Alleinerziehende und Problemkinder, Wohlstand und Verwahrlosung. used to be geschieht, wenn guy das Leben, das guy immer haben wollte, endlich führt? Wenn die Kompromisse in Zwang umschlagen und das Glück sich nicht einstellt? In ihrer literarisch bestechenden Bestandsaufnahme erzählt Anna Katharina Hahn von Frauen, deren Lebensraum zum Käfig geworden ist und von einem Jungen, der ausbricht.
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Still others have aestheticized the Nazi era, whether for psychological or commercial motives. In the process, they have tended to undermine the injunction to preserve the memory of the Nazi era's crimes lest they be repeated in the future. The normalization of the Nazi past in postwar alternate histories has not proceeded unopposed, however. For one thing, the ongoing appearance of morally principled accounts throughout the postwar world reflects an enduring commitment to remember the Third Reich's crimes in their historic specificity and to preserve their lessons in memory.
In domestic affairs, Great Britain successfully handled the tasks of restoring the nation's economic health and creating its modern social welfare system. 28 In the area of foreign policy, meanwhile, Britain continued to behave as a great power. The nation's leaders felt independent enough to develop their own nuclear arsenal by the early 1950S, confident enough to reject the invitation of European states to join in the European Economic Community (EEC) in 1955, and bold enough still to undertake foreign policy adventures, as at Suez in 1956.
Wall's motives in writing the tale are unknown. But as a career diplomat in the British foreign service, he most likely had strongly patriotic feelings about his homeland and correspondingly negative feelings towards its erstwhile German enemies. 44 To a degree, Wall may have written the novel in order to comprehend the German roots of Nazism. " Wall chose a different method of doing this from Coward, preferring to demonize the Germans rather than heroize the British. 46 Still, Wall's portrayal of German omnipotence and British impotence served a triumphalistic function.