La guerre de l'ombre : RG contre FLN by Laurent Chabrun

By Laurent Chabrun

L’auteur rend publiques les notes des RG touchant à l. a. guerre d’Algérie,
archives du ministère de l’Intérieur jusqu’alors confidentielles. Fort
de ces files inédits, il cherche à comprendre ce que savait de
Gaulle...

Que savait le pouvoir en position de ce qui se tramait dans le milieu du
nationalisme algérien en Métropole dans les années 1950 et 1960 ?
Avait-il sense of right and wrong du drame qui allait bientôt se jouer de l’autre côté
de los angeles Méditerranée ? Était-il correctement informé par ses prone de
police ? De quels renseignements disposait le général de Gaulle, et de
quel poids pèseraient-ils dans les décisions cruciales qu’il allait
prendre ? Que savait-il de ces clandestins qui prélevaient l’impôt
révolutionnaire pour soutenir les combattants du FLN dans le maquis ?
Que savait-il des luttes intestines entre les nationalistes historiques
du MNA et ceux du FLN ? Que savait-il des tentatives d’attentats et des
règlements de comptes ?

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His brother Matija visited the Balkans in 1839–1840 and 1843–1844. e. , Made in the Year 1843–1844 ªPut jednoga inostranca po turskoj carevini, tj. Tesalii, Mac;edonii, Bugarskoj, Albanii, Bosni i Hercegovini etc. ljeta 43–44 uc=injenº62 made a formidable impression on Ivan Maz=uranic;. e. e. a flockº ^^otherwise known as Vlachs ªVlasiº< the Bosniaks and the Osmanli, though both are Muslims, hate each other terribly like no brethren. The Bosniak hates the Osmanli, and says that there is no man worse under the sky than an Osmanli< while the Osmanli says that the Bosniaks are converts to Islam ªpoturiceº and worse than the Infidels ªgiaourº< and that therefore they have to be strangled and trod upon so that the converts fear them, and know who is in charge.

20 The theme of the Wheel of Fortune is thus repeated before Osman&s final reflections on his ancestors. This brief review of Ottoman history is placed in Osman&s final speech before his execution. At the beginning of this long reflection on Ottoman history Gundulic; stresses that the empire was won by force symbolized by the sultan&s sabre ªsabljaº. The sword thus symbolizes the Ottoman Empire, and is Gundulic;&s symbol of that Force on which the Empire has been based. It is at the very end of Canto XX that Gundulic; condemns not just the Ottoman Empire, but Islam in general and its founder, Muhammed, in particular.

E. g. , Slovenes, Croats, Serbs, Bulgarians, Macedonians, Bosnians, and Montenegrins). Such a chronicler could only Introduction 5 come from the periphery of the Peninsula, above all, the western coastline, which had excellent cultural relations with Renaissance Italy< and he had to have a grasp both of new Renaissance historiography and a conception of Slavdom which would make it possible to make sense, literally, of the disparate histories of the various Slavic states in the medieval Balkans.

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