By Dwight V. Swain
Techniques of the promoting Writer offers good guide for those that are looking to write and promote fiction, not only to speak and learn approximately it. It offers the historical past, insights, and particular approaches wanted through all starting writers. right here you will find out how to staff phrases into reproduction that strikes, move into scenes, and scenes into tales; the right way to enhance characters, the right way to revise and varnish, and at last, easy methods to promote the product.
No you can still educate expertise, however the functional abilities of the pro writer's craft can definitely learn. the right kind and resourceful use of those kills can shorten any beginner's apprenticeship by means of years.
This is the ebook for writers who are looking to flip rejection slips into cashable checks.
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Extra resources for Techniques of the selling writer
An ordered, step-by-step presentation of your materials that pushes emotional buttons in your reader, so that he feels the way you want him to feel. It’s a way of going about things; an answer to your “how-to” questions. For example? ” Often, these questions overlap, for process operates on all levels. Some processes are simple, some complex; some basic, some specialized. The steps you take to make a character easily recognizable may be quite definite and explicit. ” is likely to prove a good deal more involved.
When you glorify one thing, it’s generally at the expense of something else. In this case, the “something else” was feeling. Now a feeling is about as opposite to a fact as you can get. At best, you might describe it as a sort of internal driving force, like electricity in a motor. You can’t see it or hear it or smell it or taste it or touch it. It reveals itself to the outside world only in overt behavior, as a reaction. Even measuring its intensity, by any objective standard, remains a problem not at all satisfactorily resolved.
No, indeed. The picture of “pure” creator versus “pure” objectivist is an exaggeration. No such creatures exist. Always, the issue is a matter of degree and emphasis. The writer puts heavier stress on the emotional entity we call story because he feels, and isn’t afraid to trust his feelings. That is all. The successful writer also has intelligence as well as talent; far too much intelligence to rely on spontaneity alone. But he does separate logic from emotion; critical judgment from creation.