By Mary Embree
For everybody who has ever been instructed, “You may still write a book,” yet has no concept the way to start, here's a necessary, no-nonsense advisor to each step of the writing and publishing method. within the Author’s Toolkit, veteran author, editor, and ebook health professional Mary Embree presents readers with an all-inclusive lesson on what it takes to create, enhance, and advertise either fiction and nonfiction books—from nurturing the seeds of a e-book suggestion, to outlining the movement of the e-book itself, to taking the completed manuscript to attainable publishers. She information the basics of the inventive process—such as the way to delineate characters, arrange the plot, locate the “hook,” and keep away from universal writing pitfalls—and offers designated suggestions on such sensible enterprise issues as registering copyrights, realizing contracts, looking literary brokers, publishing electronically, making a professional-looking manuscript, selling and advertising the completed e-book, and lots more and plenty extra. Aspiring and veteran writers also will find a wealth of real-world assets, together with leads for pro suggestion, details on writers’ web content and courses, listings of writers’ firms, and masses extra. convenient, to-the-point, and arranged in a simple step by step layout, The Author’s Toolkit is a source no writer might be without.• info the total strategy of writing a publication: from the elemental inspiration to the completed manuscript• presents a variety of assets for writers, equivalent to guides, net- websites, writers’ teams, and extra• Concise, easy-to-follow, and packed with useful info for either starting and veteran writers
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He roared threateningly. “You can’t make me,” she snapped defiantly. “Oh, please do that again,” she gasped breathlessly. None of those adverbs was necessary. Delete them and read the sentences again. See if you agree that they are actually stronger C H A P T E R 4 T H E RU L E S OF WRITING 23 without those words. You might also want to avoid using words like “roared,” “snapped,” and “gasped,” because they are words you might read in an old detective novel or romance magazine. “Said” works just fine most of the time and it doesn’t get in the way of your story.
Her eyes were singularly honest and fresh. They were wonderfully pretty C H A P T E R 5 P L O T , S T O RY, AND C H A R AC T E R S 35 eyes; and, indeed, Winterbourne had not seen for a long time anything prettier than his fair countrywoman’s various features—her complexion, her nose, her ears, her teeth. [Her face] was not at all insipid, but it was not exactly expressive. —FROM DAISY MILLER: A STUDY BY HENRY JAMES Margie Young-Hunt came in, pert-breasted in a salmon sweater. Her tweed skirt clung lovingly in against her thighs and tucked up under her proud fanny, but it was in her eyes, her brown myopic eyes, that Ethan saw what his wife could never see because it wasn’t there when wives were about.
Some sound a little alike and a few sound exactly alike, which is one of the reasons they are misused. And we can’t depend on our computer’s spell-check. Among the errors it will not pick up are words that are spelled correctly but are used incorrectly. absorb adsorb take in; reduce the effect of; deal easily with; consume to gather a substance on a surface in a dissolved layer (chemistry) accept except receive; answer affirmatively leave out, exclude acclamation an expression of enthusiastic approval acclimation adaptation of an organism to its natural climatic environment adapt adept adopt fit; adjust; alter or modify thoroughly proficient; an expert take another’s child as one’s own; choose to follow; accept adverse averse unfavorable reluctant; opposed advice advise an opinion or recommendation give counsel to affect effect to influence: The plan will affect the outcome.