By Roy Westbrook, Terry Barfoot, Visit Amazon's Christopher Headington Page, search results, Learn about Author Central, Christopher Headington,
Taking the reader throughout the tangled net of opera's opulent heritage, this publication strains its roots again to historical Greek song dramas, in the course of the medieval Christian and secular musical performs, to the Renaissance and to the prolific seventeenth century. It keeps with unique bills of the 18th century - whilst opera grew to become a family be aware - the excessive Baroque, the French and German heroic and romantic comedies, the nice Italian interval and the modern works of, among others, Glass and Birtwistle. This anecdotal research usually touches on different elements of opera, together with its settings and economics and the social, political or even spiritual or philosophical parts.
Read Online or Download The Opera: A History PDF
Similar forms & genres books
This useful source is a revised version of an important index to vocal works composed for no less than one solo voice and one tool (other than piano or guitar) as much as twelve solo voices and twelve solo tools. The e-book contains a short advent on find out how to train vocal chamber song, with pointers on operating a winning ensemble.
Ricordi is proud to offer the 1st titles of their new sequence of orchestral ratings that includes enticing photographs (from Casa Ricordi's ancient documents) and synopses in Italian, English, French and German. moreover, those rankings characteristic heavier disguise and paper inventory plus better binding.
This somewhat irreverent advisor to opera summarizes the plots of 17 of the world's nice operas, together with Aida, l. a. Boheme, and Carmen, and describes their characters, artists, and composers.
In shaping choral tone, administrators frequently desire to enhance the sound in their choir, yet are challenged to pinpoint underlying difficulties or to steer singers towards strategies. Now, in Prescriptions for Choral Excellence, expert vocal pedagogue Shirlee Emmons and top choral director Constance Chase equip choral administrators with the sensible instruments they should aid singers in achieving top choral functionality.
- Understanding Mozart's Piano Sonatas
- John Adams's Nixon in China: Musical Analysis, Historical and Political Perspectives
- La Bohème in Full Score
- Voices in Bali: Energies and Perceptions in Vocal Music and Dance Theater (Music Culture)
- Lucia di Lammermoor (Opera Classics Library Series) (Opera Classics Library Series)
- A Night at the Opera
Additional resources for The Opera: A History
May be attributed to various causes of deviation from simple lines of descent: (i) double readings 1"* in the common archetype, including glosses and scholia; (2) contamination of jS-mss. from/; (3) intentional intervention by and correctors; (4) fortuitous coincidence. But altogether they do not seem to account for the phenomenon satisfactorily. , where contamination appears in such scribes a form as to postulate either too many was copying from two Vorlagen at once still lost Vorlagen ; or else that the scribe see codices ixSFp, not to mention later ones.
1269/70). ^^ In III variant readings of k have — This codex has supplements been entered extensively by a coarse hand. and annotations by Cardinal Isidorus Ruthenus (d. 1463) and probably belonged to him. 32 It was collated by Schultz and (in I) by Heyse. I have microfilm. Wolfenbuttel 902 (Helmstedt 806): mbr. 226 leaves 21 x 13 cm. (/>) 26 H. Omont, "Notice sur Georges Hermonyme," Memoires de la Soc. de Vhist. de Paris 12 (1885), 90. 27 E. , Isocratis opera omnia, I (1906), pp. XXIX, LV. Isocrates in g is not nearly akin to Isocrates in A.
Scholia K 249 mbr. s. X: three orat. , om. vitae arg. Istanbul, Panaghia Kamariotissa 158: I only A Laur. conv. soppr. gr. 84: S Marc. gr. 442 om. epist. Ambros. gr. 455 adds vitae arg. scholia Leonardo Bruni a. 1412: Latin trans, of III / M B C Paris, Coislin I only : : gr. : without scholia Laur. acquisto 50: without scholia Vat. Barb. Marc. d gr. VIII 20: III I II epist. Laur. 58,6: epist. II Ambros. q P R E k 8 Vat. Pal. gr. 134: II III editio princeps 151 3: without scholia, Paris, gr. 2998 XIII: III s.