By Katherine Herbert
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Extra resources for The Perfect Screenplay: Writing It and Selling It
In Hollywood terms, stories have three acts and the feeling that a just and satisfying conclusion is reached by the end. If you’re unfamiliar with this concept, it’s another one you should get to know. Any screenwriting manual will cover it, and most analysts in Hollywood use it as a basic tool when evaluating scripts. , acts one, two, and three. Aristotle’s work can be a great help to you as you move from premise to screenplay, which will be discussed in a later chapter. Meanwhile, get your idea on paper before it slips away.
Further, it probably helps if writers also believe—whether they admit it or not—that no one can write quite as well as they can. Hold on tightly to these three states of mind; they will be challenged everyday as you forge your way through the Hollywood jungle looking for your Livingston. PRACTICAL MASTERY Mastering the more practical aspects of writing for the movies also helps get you ready. It provides its own comfort and will help sustain your efforts, even when you doubt your own ability, or the competition looks overwhelming, or you wonder whether you would rather watch movies than write them.
If it has potential, then move to the next step. Since you have made some determinations about where this story is going, take your preliminary outline and write a five or more page narrative based on it. As you complete the pages you will gain more clarity about your first masterpiece. When you finish this exercise, read the pages several times. Get the feel of the story. Make sure it flows like a story. ” Read the pages to friends and relatives. Get their responses. Don’t be afraid. Responses can be very helpful.