The Right Place, the Right Time!: Tales of Chicago Symphony by Donald Peck

By Donald Peck

From Yakima, Washington, to the Chicago Symphony Orchestra, Donald Peck's trip as a flutist has been outstanding. right here, Peck deals an insider's view of the interior workings of 1 of the main prestigious orchestras within the nation. Peck, like many artists, didn't choose his direction voluntarily, yet relatively permit destiny lead him to a occupation in song. In 1957, he secured a seat with the orchestra as a flutist. starting in 1958, Peck garnered the identify of primary which he stored till his retirement in 1999.

A memoir jam-packed with tales approximately lifestyles at the highway, making recordings, and dealing with the easiest musicians and singers within the enterprise, definitely the right Place,The correct Time! is a pleasure for an individual attracted to the lifetime of a devoted, committed, and proficient artist.

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Extra info for The Right Place, the Right Time!: Tales of Chicago Symphony Days

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The temperature almost never made it above zero. We moved on and nothing changed in Hamburg, Bonn, Düsseldorf, Frankfurt, Zurich, Madrid, Paris, Amsterdam, and Brussels, until London. 30 / The Right Place, The Right Time! Do you think that Madrid might have been warm? Forget it. It was not Stockholm, but it was not warm. The city is at a high altitude, and that keeps it from having a southern-type winter. Anyhow, eventually it was February and we went to Paris. ” But at last we had a reprieve. This surprised us, as it was in London, where we had three days, two concerts, and pleasant weather: 59 degrees.

The people were most helpful and friendly, a different world from Russia. We couldn’t believe that the country was under the Communist boot. The area is really two cities, Buda and Pest, on opposite sides of the Danube River. Our hotel was the Thermal Hotel Helia. It looked to be fairly new. It was warm and bright, and the water was clean! Our concert on the twenty-eighth of November was a welcome change from the recent Bruckner and Mahler. We played an all-Bartók program. This gentleman was Hungarian, as was Solti.

The city looked sad and drab, as though it had been under a yoke. But the people were friendly and approachable and seemed to want contact and conversation. We played in a new hall, Gewandhaus, which was quite good, the old hall having been destroyed during the war. A varied and interesting trip occurred in the fall of 1998, from August 30 to September 20. After two concerts in London and one in Birmingham, we flew to Brussels, where September is a lovely, warm time. Even more interesting is that it is the month for mussels.

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